Review by David Gardette
John Cameron Mitchell and Stephen Trask’s Hedwig and the Angry Inch is a cult classic that continues to resonate. This bold, genre-defying rock musical tells the story of Hedwig, a genderqueer East German singer whose botched sex-change operation leaves her with the titular “angry inch.” Through a raw and electrifying performance, Hedwig recounts her journey of love, identity, and self-acceptance, all while fronting a glam-punk band in a concert-style setting.
The Melbourne season, starring Seann Miley Moore as Hedwig, is an emotionally charged production. Moore’s portrayal is both nuanced and powerful, capturing Hedwig’s vulnerability, rage, and charisma with remarkable depth. Their vocal ability is nothing short of outstanding—navigating the musical’s demanding rock score with finesse and power. This is a difficult, multi-layered role, and Moore’s performance feels deeply personal, expertly showcasing an astonishing depth of talent.
As Hedwig’s long-suffering husband and backup singer Yitzhak, queer artist Adam Noviello is a revelation. Often relegated to the shadows, Noviello brings a quiet intensity to the role that makes their eventual breakout moment all the more powerful. When Yitzhak finally breaks free from Hedwig’s emotional grip and sings the house down, it’s an unforgettable moment.
Musical director and keyboardist Victoria Falconer leads a stellar rock band that elevates the entire production. From ballads to explosive glam rock anthems, the band delivers. Falconer, Felicity Freeman (bass), Glenn Moorehouse (guitar and associate MD), and Jarrad Payne (drums) not only play with immense skill but provide a cracking back up vocal.
Even through the heavy rock instrumentation, the sound design ensures a clarity of vocal for a show so reliant on an intricate storytelling, and coupled with a mood altering lighting design, scenes shift seamlessly between the intimate and full-blown rock. Costuming is a wonderful cacophony of double denim, faux fur and glam rock flair, perfectly capturing Hedwig’s eclectic aesthetic.
Hedwig and the Angry Inch remains as timely as ever. Co-directors Shane Anthony and Dino Dimitriadis skilfully navigate the musical’s exploration of gender identity, trauma, and transformation that resonates deeply in today’s socio-political climate around trans rights and visibility. Hedwig’s story is compelling and emotionally resonant – she is bold, sometimes brash, and always heartfelt—a reminder of the power of self-expression and the search for wholeness.
With powerhouse performances and a killer band, this Melbourne season is a must-see for fans and newcomers alike.
Hedwig and the Angry Inch is now playing at the Athenaeum Theatre in Melbourne’s East End District
For more information and tickets: https://hedwig.com.au
