Review by David Gardette
Soundworks’ Melbourne return production of Songs For a New World at Chapel Off Chapel is a bold and energetic reimagining of Jason Robert Brown’s classic. With a talented cast, a powerhouse band, and a passion for storytelling, this production has some fine creative moments even if some artistic choices slightly cloud the clarity of the narrative.
Originally premiering in 1995, Songs For a New World is not a traditional musical but a song cycle—a series of thematically linked pieces exploring pivotal moments in people’s lives. Written by Tony Award-winning composer Jason Robert Brown (The Last Five Years, Parade), the show has gained a loyal following for its rich and varied music and lyrics. Brown’s work is known for its depth and complexity, and this production embraces that challenge with enthusiasm.
The cast of 15 bring an earnest energy and commitment to the stage. All have a share of the moment and together this ensemble deliver a rousing sound. Tayla Muir’s renditions of “I’m Not Afraid of Anything” and “Christmas Lullaby,” showcases a beautiful vocal and an emotional stillness that packs a punch. Zak Parks’ “She Cries” is heartfelt and layered, while Teo Vergara’s powerhouse vocals in “Hear My Song” provide a stirring finale. Benoit Vari’s gender-fluid take on “Just One Step” adds a fresh comedic twist. Campbell Bonello’s understated presence and warm vocal is a pleasure to watch. Unfortunately there were several moments throughout the show—particularly during softer passages and the more energetic numbers—where lyrics lacked vocal clarity, despite the use of microphones.
Musically, this production is a standout. The excellent 10-piece band, under the musical direction of Mark Bradley, is tight, controlled, and expressive—elevating the complex score. Costumes in neutral tones suit the nature of the show, though a slight splash of colour here or there in important moments could have added more visual interest.
Direction by Lauren McKenna is focused and ambitious. Expanding the as written four-person cast to fifteen and incorporating full ensemble choreography occasionally detracts from the storytelling though. In some numbers, the well-choreographed and well executed routines feel slightly misplaced, overshadowing the core of the scenes. The staging, while inventive, is quite centrally focused—audience members seated to the sides miss key visual transitions, such as the opening sequence into “On the Deck of a Spanish Ship…”, so get a middle seat if possible to fully appreciate some intricate and inventive staging moments.
Despite these challenges, it’s wonderful to see young artists pushing boundaries and reinterpreting established works. Soundworks’ commitment to showcasing emerging talent is always a treat. This production may not be flawless, but it is bold, heartfelt, and full of vitality —a testament to the power of creative risk-taking.
Songs For a New World plays at Chapel off Chapel until August 10.
For tickets: https://chapeloffchapel.com.au/show/songs-for-a-new-world-2/
Photo credit: Matthew Chen
